PLEASE RETURN TO BUSAN PORT | VESTFOSSEN KUNSTLABORATORIUM [NO]
PLEASE RETURN TO BUSAN PORT VESTFOSSEN KUNSTLABORATORIUM Curators: Jari-Juhani Lager and Sunhee Choi For this year’s group event we have invited
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Matthew Barney at Astrup Fernley Oslo – [NO]
Matthew Barney Bildungsroman 26.02.16 – 15.05.16 Astrup Fernley Oslo – Norway – Building 1 Curators: Gunnar B. Kvaran and Therese Möllenhoff Matthew Barney (b.1967,
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Knut Ivar Aaser ‘Today’s bouquet, versus a bouquet that conveys very similar days’ [NO]
Knut Ivar Aaser ‘Today’s bouquet, versus a bouquet that conveys very similar days’ VI, VII – [NO] 01.04-15.05.2016 Images courtesy of the
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ANNA ZACHAROFF “I’M FLATTENED TO BE ASKED” – [NO]
Anna Zacharoff Oh Snap 2016 Oil and pigment on primed canvas / Wooden stretcher ANNA ZACHAROFF “I’M FLATTENED TO BE ASKED” STANDARD OSLO – NORWAY 01.04.2016-07.05.2016 Images
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KATRINE GIÆVER – Collecting Colors (Paintings and Silkscreens) [NO]
KATRINE GIÆVER GALLERI RIIS – [NO] Collecting Colors (Paintings and Silkscreens) April 14 – May 7, 2016 The inherent and particular properties of
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Video: Bjarne Melgaard at Thaddaeus ropac [FR]
THE CASUAL PLEASURE OF DISAPPOINTMENT Galerie Thaddaeus Ropac is delighted to announce Bjarne Melgaard’s exhibition “The Casual Pleasure of Disappointment” in the Paris Marais gallery. He first showed with the
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Ida Ekblad, A gentle looking little alien of [UK]
Editors pic: A gentle looking little alien of sorts Ida Ekblad At: Herald St 11th October – 15th November 2014 Ida Ekblad’s artistic practice incorporates painting, sculpture, performance, filmmaking as
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Tauba Auerbach at Bergen Kunst hall [NO]
Tauba Auerbach Venue: Bergen Kunsthall, Bergen Tetrachromat November 11 – December 22, 2011 In Tauba Auerbach’s work traditional distinctions between image, dimensionality and content collapse. Surface, specifically the larger
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The World is Made of Stories [NO]
Works from the Astrup Fearnley Collection Nobody can see, perceive or apprehend the whole world on their own. We all learn about the world through others, through different kinds of
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